The presidential
election in November is shaping up to be potentially the most contentious ever,
thanks to the stakes involved, the disruptive element of the coronavirus
pandemic, the threat of violence from the radical left, and the Democrat
Party’s desperate push for voting-by-mail to facilitate the voter fraud they
need to win. Just in time for this chaos, investigative journalist, author, and
frequent FrontPage Mag contributor Kenneth Timmerman has published a fast-paced
novel titled The
Election Heist, from Post Hill Press, that could not be more relevant and
prescient.
This page-turner
of a political thriller centers on election tampering in a fictional race in Maryland
pitting the incumbent Democrat Rep. Hugh McKenzie against first-time challenger
Nelson Aguilar, an Hispanic Republican. In a classic case of art imitating life,
the Democrats realize their only hope of winning this November is to cheat. A
wild ride ensues.
In addition to
serving as the Executive Director of the Foundation for Democracy in Iran, Ken Timmerman
is the Nobel Prize-nominated author of such must-reads as: Dark
Forces: The Truth About What Happened in Benghazi; Shadow
Warriors: The Untold Story of Traitors, Saboteurs, and the Party of Surrender; and Shakedown:
Exposing the Real Jesse Jackson, in addition to novels such as ISIS
Begins and Honor Killing. He kindly agreed
to respond to a few questions about his new fact-driven novel.
Mark
Tapson: Ken,
you’ve written fiction before, but you’re known primarily for journalism. Why
did you choose to address this contentious election issue in a novel instead of
nonfiction?
Ken
Timmerman: Thanks, Mark, for this
opportunity. For most of my adult professional life, I have considered myself
an investigative reporter – at least, for as long as that was a reputable
profession. Today, the national news media has dragged the professional into
such ill-repute that journalists have a lower favorability rating than do
members of Congress. Just look at the despicable performance of Chris Wallace
at the first Trump-Biden debate. I used to be a guest on Chris Wallace’s shows
– and on 60 Minutes with his father – when I was a critic of a Republican president (Bush
41). No longer. It tells you something.
There have been a
number of nonfiction books looking at election fraud in recent years, most
notably by my good friend John Fund, formerly of the Wall
Street Journal. None of them have been taken seriously. Groups such as Judicial Watch
and the Public Interest Legal Foundation have been warning for years about
“dirty” voter rolls, and the threat of millions of illegitimate votes “cast” by
the dead or by people who have moved to other states.
Most recently,
Project Veritas documented a ballot harvesting scheme in Minnesota that appears
to have been organized by activists close to Rep. Ilhan Omar. But what has been
the response to all of these revelations by the media or the Democrats? “There
is no such thing as voter fraud.”
So I felt it would
be salutary to demonstrate, from the inside, on a human level, exactly how
partisan operatives could plan and executive a massive diabolical scheme to
steal an election, and how difficult it would be for law enforcement and
election authorities to discover it, let alone prosecute those responsible. By
writing a novel, I allow readers to suspend their disbelief and follow my
characters as they plot and scheme, while others play catch up, knowing that
everything they are attempting to do is possible, if not inevitable.
What if I had
written an investigative column in the summer of 2016, based on unnamed sources
within the FBI, that Hillary Clinton had instructed her staff to manufacture a
phony scandal tying Donald Trump to Russia, in order to divert public attention
from her use of a private email server for classified government
communications? It would have been dismissed as “fake news,” if not worse.
Quite likely, my career as a journalist would have been over.
But if I had
written that scheme – which turned out to be 100% true – as a novel, I would
have been called a prophet, another Joel Rosenburg.
I have long
believed fiction precedes reality – not so much that a novelist can predict the
future, but that he or she can project the big picture, how it will feel, what
it will mean. That’s what I’ve tried to do in The Election Heist.