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Saturday, August 18, 2012

Dreams from My Real Father: A Review


Barack Obama the man is more of a mystery to Americans than any president in modern history, thanks to suppressed documents and unexplained gaps in his personal and intellectual life. Now a new documentary seeks to answer the question, “Was the multicultural tale of Obama’s goat-herding Kenyan father only a fairy tale to obscure a Marxist agenda irreconcilable with American values?”

Based on two years of research, interviews, newly unearthed footage and photos, and the writings of Communist Party organizer and propagandist Frank Marshall Davis, Dreams from My Real Father: A Story of Reds and Deception is an alternate theory to Obama's autobiography. The 95-minute video from Highway 61 Entertainment weaves together the facts with re-creations and “reasoned speculation” in an effort to solve the mystery of Obama’s origin. As director/writer/producer Joel Gilbert puts it, the conclusion is that “the ‘Birthers’ have been on a fool’s errand. To understand Obama’s plans for America, the question is not ‘Where’s the birth certificate,’ but ‘Who’s the real father?’”

The film makes the case that Davis is Obama's real father, both biologically and ideologically, and that he indoctrinated Obama during the latter’s formative years with a political grounding in Marxism and an anti-white world view. It asserts, as Gilbert says in an interview, that Obama's election “was the culmination of an American socialist movement that Frank Marshall Davis nurtured in Chicago and Hawaii, and has been quietly infiltrating the US economy, universities, and media for decades.”

Dreams from My Real Father is narrated over meandering violin-and-piano music by Obama impersonator and voiceover actor Ed Law, who chronicles the president’s life journey from birth to the present as if Obama himself is speaking. Some dialogue is taken directly from Davis and Obama's writings, while some is “approximated.”

The documentary includes Obama's indoctrination in Marxism by Davis, his college years, his work as a Saul Alinsky-style community organizer, his close association with the Bill Ayers family and Rev. Jeremiah Wright, even his little-known role in the subprime mortgage crisis, all the way through his campaigns and into the presidency. “My mission in life,” says the Obama narrator, “is to fulfill the dreams of my ‘ideological father’ – to replace capitalism with Communism.”

The film begins with a comparison of the startling physical similarities between Obama and Frank Marshall Davis: facial features, stature and build, even their voices and laughs. It moves on to a description of Davis’ involvement with the Communist Party of the USA, which was founded in Chicago. The CPUSA targeted useful American journalists like Davis, who was deeply involved an astounding number of Communist front groups and wrote for all their publications. He was assigned to recruit blacks into the party – the goal was to target them, rub salt in their wounds, stir up class resentment, and mobilize their discontent to take power. In addition to being a poet and propagandist, Davis started a camera club and specialized in nude photography.

Enter Obama’s “Gramps,” grandfather Stanley Dunham on his mother Ann’s side, who was a “company man” for the CIA, tasked with recruiting black students against Communism. One of those students was Obama’s purported father, Barack Hussein Obama, who arrived from Kenya and was greeted by Gramps himself. The Dunhams later moved to Hawaii, where a very unhappy Ann began hanging out with poet/photographer Davis, who had moved there to recruit blacks for the CPUSA. He ultimately got her to pose nude for him – and eventually, according to the documentary, also got her pregnant.

After his initial shock and anger over the illicit affair, Stanley Dunham realized he would lose his CIA security clearance if it was discovered that his daughter was pregnant by Communist Davis. Abortion, illegal in Hawaii, wasn’t an option. Dunham decided to carry out an elaborate deception. He needed a black man to marry Ann and legitimize the birth, so he turned to Kenyan student Obama, who needed the money. But Obama was already a married man and father, so he agreed to go along with the plan only if the birth certificate stated “Father unknown.”

Months later Ann was granted an uncontested divorce, married Indonesian Barry Soetero and moved to Jakarta. Young Barry grew up there, eventually was told the truth about his real father, and spent some time with “Uncle Frank” Davis in Hawaii during his formative years. By the time Obama went to Occidental College on a full affirmative-action scholarship, he was already a committed Marxist.

Going to school later in Chicago, Obama was influenced by professors like Richard Cloward with his “crisis strategy” of economic sabotage to collapse capitalism. He met terrorists Bill Ayers and Bernardine Dohrn, who realized Obama’s value to their movement, and learned the strategies of “community organization” – or more precisely, “community agitation.”

Thanks to his connections, Ayers’ wealthy father Thomas and black nationalist patron Khalid al-Mansour, Obama was accepted at Harvard Law School and became president of the Harvard Law Review without actually having written a single law review. He moved on to become a training director for the Alinskyite group ACORN.

The documentary goes on to detail Obama’s political life, his involvement with Project Vote and the subprime mortgage crisis, his shady backing from slumlord patron Tony Rezko, and his support from another red-diaper baby, David Axelrod, who ultimately helped him shape his presidential campaign message. Once in office, Obama began carrying out the socialist blueprint – centralizing power in the government.

When asked in an interview why it matters who Barak Obama's father really is, filmmaker Joel Gilbert replied,

Obama sold himself to America as the multi-cultural ideal, a man who stood above politics. His father was a goat herder from Kenya, he would bring people together, so it went… [P]romoting a false family background to hide an agenda irreconcilable with American values is a totally unacceptable manipulation of the electorate.

The closing image of the film is a waving Communist flag, suggesting that Obama’s agenda – to make America socialist without ever realizing how it happened – is flourishing. “These are my dreams,” the Obama impersonator finishes, “the dreams from my real father.”

(This article originally appeared here on FrontPage Mag, 8/14/12)