One of the unexpected and most
intriguing elements of the new History Channel series The Vikings is the main character Ragnar’s fascination with his prisoner,
a young Christian monk seized during a Viking raid on an Anglo-Saxon monastery.
The clash of their value systems echoes the real-life confrontation of paganism
and early Christianity in ancient Europe, which would shape the Western World.
In case you haven’t been keeping
up with one of the best-produced and most compelling new series on television, The Vikings centers on Ragnar
(Australian actor Travis Femmel), a Norseman of the eighth century whose rebellious
spirit and lust for riches drives him to defy his ruthless king (Gabriel Byrne)
and undertake a dangerous journey across the North Sea to the legendary lands
to the west. There he and his cohorts discover easy treasure at the unprotected
monastery at Lindisfarne, off the northeast coast of England – an actual historical
event which marked the beginning of the notorious Viking Age.
During the raid, another Viking
spies a wooden figure of the crucified Christ on the wall and comments that any
god who would allow himself to be nailed to a cross and killed is not one to be
feared. “He cannot protect anyone,” says another. “He is not alive like Odin,
Thor or Freya.” And so the slaughter and the plunder begin.
Like all his Norse companions,
Ragnar is a polytheistic pagan and grim fatalist whose gods are fickle and
whose heaven is a feast hall reserved only for the bravest warriors, so his
attitude toward the Christian’s monotheism of peace ranges from curiosity to
contempt. He and his wife even taunt Athelstan about his celibacy. Their
children ask the monk which god he favors. Athelstan is taken aback: “There is
only one god.” It’s the kids’ turn to be taken aback by this concept.
The Vikings held to a confused
religious world view of capricious gods who manifested themselves in the
natural world, who commanded no morality, and who promised no reward of an
afterlife except for warriors who died heroically. Christianity offered a
spiritual inner life, a moral code, and perhaps most compelling of all, a clear
vision of life after death. Up to then, the Viking view of life and beyond
resembled that described by the eighth century historian Bede, who compared it
to the flight of a sparrow out of the cold night, into the warmth of a mead
hall, and back out again into oblivion.
In his book The Vikings (no relation to the
series), Johannes Brondsted writes:
The [Norse gods]
religion was an aristocratic one and had little to give the ordinary man by way
of an after-life. And consequently in the end he turned to the purposeful
monotheism of Christianity, with its hope and help for all. So Christianity
triumphed.
It will be interesting to see how
this dynamic, this clash of civilizations, develops over the course of The Vikings, and whether Ragnar will
begin to question the old, failed ways, or Athelstan will lose faith in the new.
(This article originally appeared here on Acculturated, 3/28/13)