As Europe commits slow-motion suicide via a
flood of Muslim migrants, and as Marxist mobs in America exploit the issue of
immigrant family separation to advance their open-borders agenda, it is useful
to step back from the hysteria and reflect on the bigger picture of the cultural
history of the West and the inimical forces seeking to subvert it.
Michael Walsh’s compact
new book The
Fiery Angel: Art, Culture, Sex, Politics, and the Struggle for the Soul of the
West provides that salutary perspective. A subtitle as grand as
that promises a sweeping survey of the West’s artistic and intellectual
heritage, as well as an insightful portrait of its enemies, and Walsh is one of
the few writers who can deliver on that promise.
One
would be hard-pressed to find another conservative intellectual, or intellectual
of any political stripe, of Michael Walsh’s caliber. In terms of the depth and
breadth of his familiarity with both high and low culture, only the
iconoclastic Camille Paglia comes to mind as a rival. But Paglia isn’t also an American Book
Award-winning novelist, journalist, distinguished classical music
critic, and screenwriter. Walsh also writes political commentary for – among
others – PJ Media, American Greatness, and the New York Post
under both his own name and occasionally his alter ego David Kahane (Rules
for Radical Conservatives: Beating the Left at its Own Game to Take Back
America). He also happens to be a friend of mine, but my praise is
not simple favoritism; his accomplishments speak for themselves.