As Europe commits slow-motion suicide via a flood of Muslim migrants, and as Marxist mobs in America exploit the issue of immigrant family separation to advance their open-borders agenda, it is useful to step back from the hysteria and reflect on the bigger picture of the cultural history of the West and the inimical forces seeking to subvert it.
Michael Walsh’s compact new book provides that salutary perspective. A subtitle as grand as that promises a sweeping survey of the West’s artistic and intellectual heritage, as well as an insightful portrait of its enemies, and Walsh is one of the few writers who can deliver on that promise.
One would be hard-pressed to find another conservative intellectual, or intellectual of any political stripe, of Michael Walsh’s caliber. In terms of the depth and breadth of his familiarity with both high and low culture, only the iconoclastic Camille Paglia comes to mind as a rival. But Paglia isn’t also an American Book Award-winning novelist, journalist, distinguished classical music critic, and screenwriter. Walsh also writes political commentary for – among others – PJ Media, American Greatness, and the New York Post under both his own name and occasionally his alter ego David Kahane (). He also happens to be a friend of mine, but my praise is not simple favoritism; his accomplishments speak for themselves.