Writer Jonah Lehrer, who resigned in disgrace last year from The New Yorker after he was caught plagiarizing from himself and others as well as fabricating quotes, is back.
By the age of 31, the pop-science author was a rising star when the tangled web he wove began to unravel. He initially denied responsibility, but eventually released a statement of apology: “I understand the gravity of my position. I want to apologize to everyone I have let down, especially my editors and readers.”
Now The New York Times reports that Lehrer has sold a work to Simon & Schuster called A Book About Love. “Jonah Lehrer is an unusually talented writer,” said his publisher’s Jonathan Karp. “We believe in second chances.”
Several years ago James Frey’s memoir of drug and alcohol addiction, A Million Little Pieces, got a bestselling boost as an Oprah’s Book Club selection before his fabrications came to light; the scandal culminated in an appearance on Oprah’s TV show, where she hammered him and his publisher for abusing her trust and that of the readers she sent his way.
Stephen Glass was a wunderkind at The New Republic in the late 90s before his articles were exposed as largely invented (his tale was brought to the big screen in the excellent film Shattered Glass). Another rising star, Jayson Blair at The New York Times, caused a stir when it was discovered he liberally plagiarized and fabricated stories and quotes for the paper. Journalist Janet Cooke’s Pulitzer Prize-winning story for The Washington Post in 1980 was revealed to be fictionalized.
To my knowledge, none of these writers – with the possible exception of Glass, who tried his hand at a failed “biographical novel” – has attempted to work out a public redemption through their writing. Frey, for example, seems to have gone on to run a sort of young adult fiction sweatshop and to partner with actor Mark Wahlberg on a stalled project about the porn world for HBO, and Cooke and her boyfriend even scored big – $1+ million – from the sale of her tale to Hollywood (though nothing came of the script).
No one until Lehrer, whose new book will use “his journalistic misconduct as a case study of the mysterious and redeeming power of love.” “The lies are over now,” he had promised in his formal apology. But are they? Was he merely using “contrition as a career move,” as Andrew Sullivan once said of Stephen Glass? Slate has a blistering critique of Lehrer’s book proposal that acknowledges the author’s verbal skill but slams its “parade of cheap epiphanies” and strongly suggests he plagiarized portions; is Lehrer no wiser or more honest after all?